Showing posts with label Patterns. Show all posts
Showing posts with label Patterns. Show all posts

Monday, October 28, 2013

Urban Design Ornament and Decoration, Second Edition


Urban Design Ornament and Decoration, Second Edition
Cliff Moughtin,Taner Oc and Steven Tiesdell


'Urban Design: Ornament and Decoration' focuses on decorating the city and how ornament has been used to bring delight to the urban scene.

The authors show how the pattern and distribution of street and square and other major elements in the city can be enhanced by the judicious use of decorative surface treatment and by the careful placing of hard and soft landscape features.

This second edition, updated by Cliff Moughtin and now available in paperback, includes a new chapter on mud architecture. Case studies of city decoration are also outlined to bring together the ideas discussed and to show how ornament and decoration can be used to emphasize the five components of city form: the path, the node, the edge, the landmark and the district.

  • *Generously illustrated with case studies
  • *New chapter on mud architecture
  • *Part of the successful Cliff Moughtin urban design series 

Urban Design Green Dimensions, Second Edition


Urban Design Green Dimensions, Second Edition
Cliff Moughtin, Peter Shirley

This book explores sustainable development and green design in relation to urban structure and built form.

The subject matter of this book is the pattern or structure of the city: it concentrates particularly on the organisation of the public realm. The book aims to relate the main component of urban design to a general theory or urban structuring with a strong design emphasis but within the general field of sustainable city development. Any discussion of urban design that does not address environmental issues has little meaning at a time of declining resources, ozone layer destruction and fears of the greenhouse effect. The book therefore discusses built form, street block, quarter, city centres and city structure in terms of energy conservation and sustainability.

This book will be valuable in raising awareness and generating debate as well as providing useful reference material. It not only observes and documents the roots and growth of green design but will influence design, transport and policy for the future.

Tuesday, April 12, 2011

Indian Bead-Weaving Patterns


Indian Bead-Weaving Patterns:
Chain-Weaving Designs and Bead Loom Weaving-An Illustrated "How-To" Guide
Publisher: Bead-Craft | 1989 | ISBN-10: 0961350318 | ISBN-13: 978 0961350314 | English | PDF | 80 pages | 39.58 Mb

Indian Bead-Weaving Patterns is written for beginning and advanced beaders. It contains over 200 instructional illustrations and photographs of 47 beadwork pieces. Emphasis is on the use of traditional Native American beading techniques. The major portion of this book covers chain-weaving patterns, examples of which include multiple strands, 6-bead and 8-bead daisy chains, "Ogalala Butterfly," ladder weaves, "Peyote Stitch," fancy tubes, "spider" designs, "Apache Leaf," "Zig-zag" variations, 5- and 8-bead diagonals, "Potawatomi Weave," "Wide Net," "Lakota Chain," beaded braids, and beaded dolls. Also included in this book are notes on supplies, knots and threading and an illustrated section on How to Make and Use an Indian Bead Loom. With this new, enlarged edition, come two additional sections, TRIANGLE BASE has illustrated directions for making this very popular pattern for pendants and ear-drops; and BEAD EMBROIDERY includes detailed instructions for Rosettes and Applique work. Additional descriptions and illustrations are also given for other patterns of sewn beadery. Expanded to 80 pages in 1989, reprinted in 1993, this has been the best introduction to Native American beadworking since 1971.

About the Author
Author Horace Goodhue, widely respected in the world of beadwork and well known as the author of "Indian Bead-Weaving Patterns," died at home early in the morning on July 16, 1997. His book, which has sold thousands of copies, documents more Indian beadwork techniques than any other book ever published. The book was a labor of love for Goodhue. "His mission was to carry on the beadwork of Indians, even when some of the younger people were not learning the traditions from their grandparents," said Orpha Goodhue, his wife. Although not a Native American, Goodhue held a deep respect for these people through many contacts over the years. "Horace loved people and gained a great deal of energy from them. He listened to people and related to them through their perspective." All beaders are deeply in his debt.

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