Showing posts with label America. Show all posts
Showing posts with label America. Show all posts

Tuesday, July 24, 2018

Cool Hotels America


Cool Hotels America
2004 | PDF | 400 pages | 35 MB

Cool Hotels: The Americas is an extensive compilation of the most contemporary hotels in North, Central, and South America, all of which have been chosen because they represent the best in innovative design. Copiously illustrated with hundreds of color photographs of hotels designed by renowned figures such as Todd Oldham, Ernesto Goranski, and David Rockwell and accompanied by illuminating sketches as well as explanatory texts and captions, this book is a colorful tour of lodging at the cutting edge.

Thursday, June 7, 2018

The Portfolio and the Diagram: Architecture, Discourse, and Modernity in America


The Portfolio and the Diagram: 
Architecture, Discourse, and Modernity in America
PDF | 403 pages | 5.1 MB

The Portfolio and the Diagram is about the changing ways architects see, read, and use the words and images of architectural publications. Architects today do not use the glossy photographs of magazines in the same way that nineteenth-century architects mobilized the drawings in the grand folios. 

The images have changed, and so have the ways in which they are used. The book begins with an outline of the academic discipline and the mimetic practice of the portfolio, established in America during the late nineteenth century.

 World War I triggered a historical process that resulted in the demise of the portfolio and the emergence of the discourse of the diagram. The Beaux Arts-trained architects had fashioned their discipline through the meticulous object-centered images of the portfolio. The discourse of the diagram provided a new range of possibility in the architect’s relation to words, images, and buildings.

 More than the diagram itself, more than the province of narrow-minded functionalists, the discourse of the diagram is a complex formation of texts, concepts, and modes of representation. Concerned less with constructing a new kind of modernism than with understanding the boundaries and structures of modernity, the book is a history of modern architecture as a discursive practice and its striving to become a viable discipline.
 
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Space in America: Theory History Culture


Space in America: Theory History Culture
  2005 | 643 pages | PDF | 1,7 MB

Space in America Theory History Culture America's sense of space has always been tied to what Hayden White called the "narrativization" of real events. If the awe-inspiring manifestations of nature in America (Niagara Falls, Virginia's Natural Bridge, the Grand Canyon, etc.) were often used as a foil for projecting utopian visions and idealizations of the nation's exceptional place among the nations of the world, the rapid technological progress and its concomitant appropriation of natural spaces served equally well, as David Nye argues, to promote the dominant cultural idiom of exploration and conquest. 

From the beginning, American attitudes towards space were thus utterly contradictory if not paradoxical; a paradox that scholars tried to capture in such hybrid concepts as the "middle landscape" (Leo Marx), an "engineered New Earth" (Cecelia Tichi), or the "technological sublime" (David Nye).

Not only was America's concept of space paradoxical, it has always also been a contested terrain, a site of continuous social and cultural conflict. Many foundational issues in American history (the dislocation of Native and African Americans, the geo-political implications of nation-building, immigration and transmigration, the increasing division and "clustering" of contemporary American society, etc.) involve differing ideals and notions of space. 

Quite literally, space and its various ideological appropriations formed the arena where America's search for identity (national, political, cultural) has been staged. If American democracy, as Frederick Jackson Turner claimed, "is born of free land," then its history may well be defined as the history of the fierce struggles to gain and maintain power over both the geographical, social and political spaces of America and its concomitant narratives. 

The number and range of topics, interests, and critical approaches of the essays gathered here open up exciting new avenues of inquiry into the tangled, contentious relations of space in America. 

Topics include: Theories of Space ¯ Landscape / Nature ¯ Technoscape / Architecture / Urban Utopia ¯ Literature ¯ Performance / Film / Visual Arts

Tuesday, May 22, 2018

Friday, October 28, 2016

The Portfolio and the Diagram


The Portfolio and the Diagram :
Architecture, Discourse, and Modernity in America.
2002 | PDF | 403 pages | 5.1 MB 


Monday, September 2, 2013

Ultimate Restaurant Design


Ultimate Restaurant Design
by Paco Asencio , Alejandro Bahamon

Hardcover: 528 pages
Publisher: Te Neues Publishing Company; Mul edition (October 2004)
Language: English


Each of the more than sixty restaurants and bars featured in this compendium was carefully chosen for its remarkable interior design. Hundreds of color photographs highlight the groundbreaking work of the world's most distinguished architects and designers - their use of startlingly new combinations of color and texture to create unique, often otherworldly environments. Destinations covered are located throughout North and South America, Europe, and Australia.


The Empire State Building (Building America: Then and Now)


The Empire State Building  (Building America: Then and Now)
by Ronald A. Reis

Publisher: Chelsea House Publications; 1 edition (January 1, 2009)
Language: English


Friday, August 2, 2013

Seaside Resorts


Seaside Resorts
by Mandy Li
English/Chinese | 2012 |  | 416 pages | PDF | 150,7 MB


Taking Sea as its theme, the design of seaside resort takes full advantages of surrounding topography and environment, considers local culture and history thoroughly, combines the designers unique design styles and fashions perfectly, creates a harmony between landscape, architecture and interior space, and builds a comfortable and romantic seaside atmosphere, making the resort a relaxing and pleasant beachfront paradise. 

The book collects 37 seaside resorts of Asia, Africa, Europe, America and Oceania, showing the design styles and glamorous characters of these famous seaside resorts in all aspects.


Sunday, July 21, 2013

Space in America : Theory History Culture


Space in America : Theory History Culture
Klaus Benesch; Kerstin Schmidt,
Editions Rodopi B.V. | 2005 | 643 pages | PDF | 1,7 MB

Space in America Theory History Culture America's sense of space has always been tied to what Hayden White called the "narrativization" of real events. If the awe-inspiring manifestations of nature in America (Niagara Falls, Virginia's Natural Bridge, the Grand Canyon, etc.) were often used as a foil for projecting utopian visions and idealizations of the nation's exceptional place among the nations of the world, the rapid technological progress and its concomitant appropriation of natural spaces served equally well, as David Nye argues, to promote the dominant cultural idiom of exploration and conquest. From the beginning, American attitudes towards space were thus utterly contradictory if not paradoxical; a paradox that scholars tried to capture in such hybrid concepts as the "middle landscape" (Leo Marx), an "engineered New Earth" (Cecelia Tichi), or the "technological sublime" (David Nye).Not only was America's concept of space paradoxical, it has always also been a contested terrain, a site of continuous social and cultural conflict. Many foundational issues in American history (the dislocation of Native and African Americans, the geo-political implications of nation-building, immigration and transmigration, the increasing division and "clustering" of contemporary American society, etc.) involve differing ideals and notions of space. Quite literally, space and its various ideological appropriations formed the arena where America's search for identity (national, political, cultural) has been staged. If American democracy, as Frederick Jackson Turner claimed, "is born of free land," then its history may well be defined as the history of the fierce struggles to gain and maintain power over both the geographical, social and political spaces of America and its concomitant narratives. The number and range of topics, interests, and critical approaches of the essays gathered here open up exciting new avenues of inquiry into the tangled, contentious relations of space in America. Topics include: Theories of Space ¯ Landscape / Nature ¯ Technoscape / Architecture / Urban Utopia ¯ Literature ¯ Performance / Film / Visual Arts


Wednesday, June 12, 2013

The Portfolio and the Diagram : Architecture, Discourse, and Modernity in America


The Portfolio and the Diagram : Architecture, Discourse, and Modernity in America
Hyungmin Pai, 
Publisher: The MIT Press | 2002 | | PDF | 403 pages | 5.1 MB

The Portfolio and the Diagram is about the changing ways architects see, read, and use the words and images of architectural publications. Architects today do not use the glossy photographs of magazines in the same way that nineteenth-century architects mobilized the drawings in the grand folios. The images have changed, and so have the ways in which they are used. The book begins with an outline of the academic discipline and the mimetic practice of the portfolio, established in America during the late nineteenth century. World War I triggered a historical process that resulted in the demise of the portfolio and the emergence of the discourse of the diagram. The Beaux Arts-trained architects had fashioned their discipline through the meticulous object-centered images of the portfolio. The discourse of the diagram provided a new range of possibility in the architect’s relation to words, images, and buildings. More than the diagram itself, more than the province of narrow-minded functionalists, the discourse of the diagram is a complex formation of texts, concepts, and modes of representation. Concerned less with constructing a new kind of modernism than with understanding the boundaries and structures of modernity, the book is a history of modern architecture as a discursive practice and its striving to become a viable discipline. 

Sunday, January 20, 2013

The Portfolio and the Diagram



"The Portfolio and the Diagram: Architecture, Discourse, and Modernity in America"
Hyungmin Pai,
Publisher: The MIT Press | 2002 | PDF | 403 pages | 5.1 MB

The Portfolio and the Diagram is about the changing ways architects see, read, and use the words and images of architectural publications. Architects today do not use the glossy photographs of magazines in the same way that nineteenth-century architects mobilized the drawings in the grand folios. The images have changed, and so have the ways in which they are used. The book begins with an outline of the academic discipline and the mimetic practice of the portfolio, established in America during the late nineteenth century. World War I triggered a historical process that resulted in the demise of the portfolio and the emergence of the discourse of the diagram. The Beaux Arts-trained architects had fashioned their discipline through the meticulous object-centered images of the portfolio. The discourse of the diagram provided a new range of possibility in the architect’s relation to words, images, and buildings. More than the diagram itself, more than the province of narrow-minded functionalists, the discourse of the diagram is a complex formation of texts, concepts, and modes of representation. Concerned less with constructing a new kind of modernism than with understanding the boundaries and structures of modernity, the book is a history of modern architecture as a discursive practice and its striving to become a viable discipline.